Thursday, February 19, 2009

And Now the Shoe is on the Other's Foot

Once again, LOST gives us what I call a "To" episode. L.A. is point A, the Island is point B and this week's episode gets us from A To B. The reason I call these "To" episodes is that they end up exactly where we expect them to and provide little in the way of insight, answers or adventure. Hopefully now that our heroes have returned to the island, fewer "To" episodes will be required over the last 30 or so episodes of the show's run.

Let's get To it, shall we?

This is Jack's eye. This is Jack's eye opening. This is Jack's eye discovering that he has survived falling out of a plane, somewhere between 30,000 feet and this bamboo grove.
Again.

Wonder why most of that is in italics? Because that's the same three sentences I used to open my recap of the pilot episode.

Sadly for him, Jack has no remarkably unbroken bottles of booze this time, just a fragment of paper with the words "I wish" written on it. Probably wishing for booze or some Oxy...

Instead of seeing Vincent, Jack hears Hurley shouting for help somewhere in the jungle. A quick, panicky run later and Jack sees the big man using a guitar case in his struggle to stay afloat in the lagoon where Kate and Sawyer once tried to get on each other's case.

Without hesitation, Jack dives over the waterfall into the lagoon and rescues Hurley. Once the big guy is safe, he looks around and sees Kate lying unconscious on the opposite bank. A few seconds later, her eyes flutter open and she asks if they're actually where she thinks they are.

"Yeah. We're back."

Shift to 46 hours earlier.

Mrs. Hawking leads the band of returnees into the basement of the church, which is outfitted an awful lot like the Swan station, concrete walls with power cables strung along them leading to a heavy metal door. Behind the door is the room with the computers and the Foucault's pendulum that we had seen her working with previously.

Jack asks Ben if he knew about this place, which Ben claims not to have.

"Is he telling the truth?"

"Probably not." Mrs. Hawking, in true academic fashion, seems to have little use for the niceties of polite conversation. Either that or she likes to piss off Ben.

Jack spies a U.S. Army top secret photograph from 1954 that shows a familiar looking vista. Mrs. Hawking pulls him back to the present so she can explain the situation.

She launches into an explanation of how the Dharma Initiative used this "Lamp Post" station to find the island, thanks to the clever calculation of an unnamed clever man and his team. Anyone want to bet that that clever man is Daniel Faraday? Yeah, no bet. Obvious answers folks.

(*Yet another Dharma reference sidenote: C.S. Lewis placed a lamp-post at the crossroads between good and evil in his Narnia tales. This might be why the station is so named, but then again, sometimes a cigar is just a cigar and it might be called the Lamp Post because it lights the way to a destination.*)

Hawking explains that the pendulum and the equations from the Lamp Post station allow them to find where the island will be at certain points in time. Apparently, the island is constantly moving and only the Lamp Post (or pure, dumb luck) can find it. She has calculated that the group has about 36 hours in which they can get to the island and after that their window will have closed.

After this explanation, Desmond finally speaks up.

"I'm sorry. Excuse me? Am I really hearing this? That's what this is about? You're all going back to the island, willingly?"

"Yes. Why are you here, Desmond?" asks Sun.

"I came here to deliver a message. Daniel Faraday...your son, sent me here." Desmond strolls casually past the swinging pendulum as he delivers his message, and as was pointed out at the Purple Hatch by Charlotte, this seems to be symbolic of his special nature and his immunity from the rules of time and space that everyone else is subject to. "He wanted me to tell you that he and all the people on the island need your help. He said that only you could help him. He didn't say 'Jack', he didn't say 'Sun', he didn't say 'Ben', he said you."

"But I am helping, dear." Another conversation about the semantics of instructions. You'd think that if someone delivered a message via time travel, you'd pay closer attention to the actual words...

"Consider the message delivered."

"I'm sorry to have to tell you this, Desmond, but the island isn't done with you yet."

Desmond rounds on Jack and gives him some advice.

"This woman cost me four years of my life. Four years that I'll never get back, because you told me that I was supposed to go to that island. That it was my bloody purpose. You listen to me, brotha, and you listen carefully. These people, they're just using us. They're playing some kind of game and we're just the pieces. Whatever she tells you t'do, ignore it." Yeah, just like Hurley was supposed to do the opposite of what Ben said...'cuz we all know how well that worked out.

He turns to Mrs. Hawking and delivers his final message.

"You say the island's not done with me, well, I'm done with the island." He walks out through the swinging pendulum, as if it weren't there.

As Chooch pointed out during this week's radio show at TVGasm, no one seems at all dismayed that Desmond took three years to deliver a message about people needing help.

DesEx. When it absolutely, positively needs to be there some time in the next three years or so.

Undeterred, Mrs. Hawking points to the binder in Jack's hands that holds the key to finding the island again.

"Ajira Airways, Flight 316. If you have any hope of the island bringing you back, it must be that plane. You all need to be on it. It must be that flight. If you want to return, you need to recreate as best you can the circumstances that brought you there in the first place. That means as many of the same people as you are able to bring with you."

"And what if we can't get anyone else to come with us? What if we're it?"

"All I can tell you is the result would be...unpredictable."

"So that's it. We just get on that flight and we just hope that it works. That's all?"

"No, that's not all, Jack. At least not for you."

With that cryptic statement, Hawking leads Jack into her office where she hands him an envelope addressed to him. It's Locke's suicide note. Jack didn't know that John had killed himself and seems a little humbled by being singled out for a note from him. Hawking them explains that Locke's body will act as a sort of substitute for Jack's father's body as part of satisfying the conditions of the island bringing them back. In order to make this work, Jack must give John something that belonged to his father before they get on the plane.

Jack is understandably annoyed and somewhat confused by all this, but then he obviously hasn't read much fantasy literature.

(*Magic sidenote: Magic in fantasy literature often works in a similar fashion, with certain conditions being required and once fulfilled allowing for the effect to take place. I point readers to the work of Terry Goodkind for examples. In Goodkind's Sword of Truth novels, a spell works only if all the conditions are met, regardless of how they are met. If a spell must be cast under water (for instance), the wizard might immerse himself in a bathtub, but casting the spell standing in a cave behind a waterfall would work just as well, because the condition has been met and the caster is, technically, under water. If the conditions are not met, then the spell often fails with disastrous results.*)

As Daniel Faraday once said, "That's where we leave science behind."

"My Father is gone. My Father has been dead for three years. You want me to...and to give it Locke. He's in a coffin! This is ridiculous!"

"Oh, stop thinking how ridiculous it is and start asking yourself whether or not you believe it's going to work. That's why it's called a 'leap of faith', Jack."

Oh. My.

"Stop thinking how ridiculous it is." She really said that! Remember the episode with Nikki and Paulo when every second line seemed like the characters were talking directly to the audience and "breaking the fourth wall"? It's like Hawking was talking to us! Knock-Knock!

Also, in relation to the "start asking yourself whether or not you believe it's going to work. That's why it's called a 'leap of faith'." line, I personally protest that this show, once so slick and cool, is now reusing lines from Touched by an Angel.

To follow up the concept of doubt and Jack's need to start believing (Why is belief without evidence considered a virtue?), Ben tells him the tale of Doubting Thomas. Thomas was the apostle who famously doubted the resurrection of Jesus Christ and demanded to feel his wounds, the act of which completely convinced him. Ben explains that although this doubt is what he was most remembered for, Thomas was also willing to die with Jesus when he was threatened with death in Judea. Obviously, Ben is suggesting that Jack's doubt and his willingness to return to the island is similar to Thomas doubting Jesus. What isn't clear is whether Ben thinks John, Jacob, Christian Sheppard or even Ben himself is playing the part of Jesus in this little parable.

"We're all convinced sooner or later, Jack." Sorry Ben, I'm not convinced.

Ben leaves to tie up a loose end with an old friend and Jack heads to a bar to take the edge off the old Oxy withdrawal.

His phone rings and he heads over to a nursing home where Granddad Sheppard has made his fourth escape attempt. As Jack helps Granddad unpack his emergency escape kit, he comes across some familiar looking shoes. They belonged to his father and somehow wound up in Granddad's bag. Jack senses the hand of fate. I sense lazy writing.

Suddenly, Jack, Man of Science, Scoffer at Faith, is seeing Signs and Portents in hastily packed luggage. I'm sorry, but I happen to be a skeptic of the first order and the serendipitous appearance of footwear wouldn't turn me into a believer unless it fell from the clear blue sky, and even then I'd be looking for an airliner overhead. Jack is officially disbarred from the Man of Science Club.

(*Actor side note: Ray, Jack's Granddad is played by character actor Raymond J. Barry. Barry has, among other things, appearances in X-Files to his credit. He's one of those actors that you immediately recognize, even though you likely can't place him in a particular role. Take a look at his IMDB profile and you'll probably agree with me that we haven't seen the last of Ray Sheppard. Television producers don't usually go to the trouble of hiring an accomplished character actor like Barry for a single episode.*)

When he gets home, Jack hears a noise in his apartment that doesn't belong. He tracks it down to the bedroom, where Kate is waiting for him. Now that Jack is starting to believe in providence and the supernatural, he must've been thinking that the Booty Fairy popped by while he was out.

Kate tells him that she'll go back to the island with him. He asks her what happened and where Aaron is, but instead of an explanation, she tells him that the condition of her going with him is that he never ask about Aaron again. Bizarrely, Jack agrees and lets the matter lie as Kate pulls him back down to the bed.

Yeah, that made sense. Aaron disappears and Jack takes Kate's "Never ask that again" ultimatum as the final word on the subject. Hopefully there will be a deeper explanation to this unfit parent story line, but it really, really felt like more of that lazy writing. Unable to reconcile Loving Mother Kate with Going Back to the Island in a Plane that is Destined To Crash Kate, it seems like the writers just put Aaron on the back-burner until they could find a way to tie the supposedly special kid into the larger story. Like Walt. Hopefully little Aaron won't grow into a six foot tall man before they get back to him.

In the morning, Jack gives Kate coffee and orange juice, desperately trying to bring some normalcy to their dysfunctional relationship. She spots the magic shoes on the table (who puts shoes on the dining room table!?!) and Jack explains that they were his Dad's, intended for him to be buried in, but of course they never were used. Naturally, he doesn't tell her that he intends to give the magic shoes to Locke's corpse so that the magic shoes can crash their plane through the window that Mrs. Hawking told him about...'cuz that's just too much crazy over coffee.

(*Sneaker sidenote: Nice of them to finally explain why suit and tie corpse was wearing white running shoes...*)

The phone rings and Kate excuses herself in the age old "I really shouldn't have slept with you and this coffee and o.j. routine is making me regret it even more now that I'm seeing you in daylight" fashion, while Jack answers the phone.

It's Beat Up Ben!

(*Toy Line sidenote: Let's face it, "Beat Up Ben" is the name for the action figure. Now comes with ARM BREAKING Action and Removable Sling!*)

Ben needs Jack to pick up Locke's body, since he himself has been...sidetracked.

Since he's calling from a marina, speculation is rampant that he was there to kill Penny. While I'm advocating the Obvious Answer in all things LOST these days, I'm hoping that ain't the case. Mainly because it might mess up my Little Charlie Hume becomes Big Charlie Widmore hypothesis.

Jack goes to the butcher shop and Ben's friend Jill shows him to where they've got Locke stashed. All I can say is that the human cadaver is WAY too close to the meat intended for human consumption to make me comfortable with shopping there.

Jack opens the coffin and puts the magic shoes on Locke's feet.

"Wherever you are John, you must be laughing your ass off. I'm actually doing this. Cuz this, this is even crazier than you were."

He then tucks the unread suicide note in with the corpse. "I've already heard everything you had to say, John. You wanted me to go back, I'm going back."

I'm no expert on magic shoes, but wouldn't just tossing them in the coffin have worked just as well?

At the airport, the ticket taker quizzes Jack about the corpse he's transporting and once satisfied with Jack's explanation he reminds him that they will have to open the casket and screen it for security purposes. Jack is distracted by Kate sliding into line behind him, but he gets the paperwork completed.

As he heads to the next stage of his journey, the man in line behind him offers Jack his condolences on the loss of his friend. Look for the man in line behind Jack to get a name soon...

Sun joins Jack in the security line and the two of them see Sayid being escorted onto the plane in handcuffs, led by a law enforcement officer with an above average hot quotient.

(*Another X-Files tie in sidenote: Zuleikha Robinson plays "Ilana" here, but she's probably best known as Yves Adele Harlow on the X-Files spin off The Lone Gunmen and the single crossover episode of the X-Files. Oh and for real trivia buffs, Yves Adele Harlow is an anagram for Lee Harvey Oswald, the lone gunman of JFK fame. Her character uses numerous anagrams of Oswald's full name during the 13 episode run of the show.*)

In the waiting area, Hurley is reading a Spanish translation of this:


(*Comic Sidenote: Y: The Last Man is a comic book series that starts with the death of all male mammals on the planet except for one. This last carrier of the Y chromosome is the hero of the piece. I must admit something of a comic book blindspot here, as this is a comic book I've never read but have heard good things about. I'll try to do a little supplementary reading and see if there's any relevance within.*)

Hurley hears the attendant announce that there are plenty of standby seats and he rushes up to the desk.

"I bought those seats. All 78 of 'em. I'm Hugo Reyes. They're not open, they're mine. Check and see."

Aw, he's such a soft touch. Keeping 78 innocent people from death and/or a brutish and short existence as a red shirt.

The gang board the plane and just as the door closes, Ben scoots through at the last second, busted arm, cheese grater face and all.

Hurley briefly freaks out, but Jack calms him down.

The flight attendant hands Jack the unread suicide note, found during the security sweep of Locke's coffin.

(*WTF sidenote: Having seen first hand the kind of care taken by cargo handlers at international airports, I have a really hard time imagining that anyone doing a security sweep of Locke's body would bother trying to redirect a sealed envelope from the coffin to the passenger on the plane.*)

As Jack settles in to his seat across the aisle from Ben, he asks the punching bag just what he thinks will happen to the rest of the people on the plane.

"Who cares?"

Yes, I realize that shows just how amoral Ben really is, but more than that, it felt like another Knock-Knock moment from the powers that be behind the show. In other words, "Stop nitpicking about things like how many red shirts are on the island or why Jack put the shoes on the corpse and just watch the show, trusting that we know what we're doing." Um...no.

The plane takes off and once at cruising altitude, Jack heads over to talk to Kate.

"It's pretty crazy, huh?"

"Which part?"

"Hurley, Sayid being on the same plane. How did they end up here?"

"They bought a ticket." Kate can now be in my Man of Science Club. Actually, Kate can be in all my clubs.

"You don't think it means something that somehow we're all back together."

"We're on the same plane Jack. That doesn't make us together." And neither does a lousy cup of coffee and half a glass of o.j. you weepy twit.

Just then, the pilot makes his in flight welcome to the passengers. It's Frank J. Lapidus! I know that guy!

So does Jack and he gets the flight attendant (also with an above average quotient of hot, by the way) to get the captain so Jack can talk to his old friend.

As they chat about how Frank comes to be the captain of the doomed flight, Lapidus notices Sayid, then Hurley, Kate and Sun in the passenger cabin.

"Wait a second. We're not going to Guam, are we?"

Later in the flight, Jack sees Ben reading Ulysses by James Joyce.

(*Last sidenote for the week, I promise: Ulysses is a novel that parallels the Homeric tale, The Odyssey. For those unfamiliar with it, The Odyssey takes place after the Trojan War, following Odysseus as he tries to find his way back to his island home of Ithaca and his wife. Ulysses is the Roman version of the Greek Odysseus. Joyce's novel isn't exactly the Odyssey set in modern times, but it does have an element of that to it. The main character in Ulysses is "Leopold Bloom" which sounds suspiciously like "Desmond Hume", while in the Odyssey, Odysseus is married to...wait for it...Penelope.*)


"How can you read?"

"My Mother taught me." It's smart-ass remarks like that that get me in trouble all the time and I suspect that is also the explanation for Ben's constantly getting beat up.

"I can read, Jack, because it beats what you're doing."

"What's that?"

"Waiting for something to happen."

Sure enough, like the pot that never boils, the "Oh Shit" moment doesn't happen until after Jack finds something else to do. In this case, reading Locke's suicide note.

Jack,
I wish you had believed me.
JL

Short and to the point. Not much of an epitaph, but Locke always was a man of few words.

Hurley leans over to the guy who was in line behind Jack.

"Dude. You might want to fasten your seatbelt." He then pulls down his sleep mask and waits for the inevitable.

Things get ugly as the flight attendant and various baggage fly freely around the cabin, slamming into bulkheads and making nasty noises. Then a bright light and we're right back where we started.

These are Jack's eyes. These are Jack's eyes opening. These are Jack's eyes discovering that he has survived falling out of a plane, somewhere between 30,000 feet and this bamboo grove. Again...er...again.

Hurley cries for help, Jack dives into the lagoon, Jack rescues Hurley, Jack spots Kate, Jack botches the first aid procedure by moving the unconscious person before figuring out how bad her injuries are, all as before.

They all seem to not recall actually crashing on the island, just the bright light and waking up where we saw them. No sign of Sun, Sayid or Ben either. If this follows true to form from the pilot episode, Lapidus should be putting on his monster repellent if he wants to make it out of the cockpit alive...

The trio hear music coming from the jungle and see a familiar looking blue minibus come trundling out of the trees. A man steps out, hoists a rifle to his shoulder and aims it at the three returnees. They can hardly believe their eyes.

It's Jin!

Thursday, February 12, 2009

Well, Well, Well...Answers Will Cost You an Arm and a Leg

It seems that LOST is finally starting to dole out some answers as season 5 progresses. We got a few answers to some nagging questions this week. Not the earth shattering "what the hell is going on, exactly" answers we all want, but after 5 seasons of questions, we'll take whatever we can get.

Montagne's lost arm, Charlotte's history, Smokie's house and Faraday's mum were all revealed this week in a Jin and Sun centered show. None of it was hugely surprising, but it was nice to get some answers that weren't wrapped inside a bunch of new questions.

Let's get started!

Sitting in her car, getting ready to ventilate Ben with her shiny new chocolate gun, Sun gets a call on her cell. It's her mother, and more importantly, her daughter. Ji Yeon says hello and Sun tells her that she's met a new friend for her, Aaron. My vision of Sun watching Aaron and Ji Yeon playing together in the last scene of the series comes one step closer to fruition.

Sun hangs up with her daughter and heads over to the little group gathered around Ben. She puts a gun in his face and backs everyone off.

Once she has Ben covered with chocolate she tells him that she's going to kill him, revenge for her dead husband. But Ben has a card up his sleeve. Jin's not dead. His story has just enough of a ring of truth to keep Sun from pulling the trigger.

Speaking of not dead husbands, Jin is on the beach with Rousseau and her crew. It's 1988! If I were Jin, I'd be on the phone investing in DotComs right now. Sadly, the only communication device is the radio that's still repeating the numbers. Rousseau's not dead husband wants Jin to lead them to the radio tower they figure has to be on the island. Jin agrees, reluctantly, but since he doesn't know where his camp is, getting his bearings at the radio tower is as good a place to start as any.

Out in the jungle, Rousseau and her not dead husband argue about the sex of their baby, distracting them long enough for Nadine to vanish. As they look around, a familiar insect like sound fills the air.

"What is that?"

"Monster."

The group heads back to find Nadine, despite Jin's objections. Montagne leads the way. Without warning, Smokey erupts from the undergrowth and drops Nadine's body in the midst of the group. And now, we run.

Of course, Smokey is a touch faster and more nimble than your average group of French scientists and he gets ahead of the gang. The group get a good look at him before he decides that Montagne is next. Without much trouble, Smokey drags Montagne through the jungle and into a hole in the ground. The group try to save him, but only manage to disarm him.

I have to admit, this was not what I envisioned when Rousseau mentioned Montagne losing his arm in the Dark Territory back in season one.

The two remaining men go into the hole after Lefty. Jin convinces Rousseau not to follow them, just in time for a flash to happen. Here we see the first definitive proof that the Losties are moving in time, not everyone, since Jin moves, but Rousseau doesn't.

After the flash, enough time has passed that Montagne's arm has decayed noticeably.

We get a good look at the building around Smokey's hole in the ground. It looks like a temple, inscribed with Egyptian looking hieroglyphs. I spent time in Egypt and I'm pretty sure that they say "Last used on the set of Abbott and Costello Meet the Mummy".

Jin follows a plume of smoke back to the beach where Rousseau's group has apparently set up camp. He finds two rotting, flyblown bodies, two of Rousseau's group. He hears shouting and follows it to it's source. It's Rousseau and Robert, with Rousseau in her familiar stance, with Robert at gunpoint.

Robert tries to convince her that he isn't sick, that he loves her and their baby. When she lowers her guard, he raises his rifle and pulls the trigger. I suspect that like Sayid before (after?) him, Robert has been fooled by a clever, firing pin removing, crazy French chick. Intentional or serendipitous, Rousseau wastes no time making sure that it doesn't happen again. Not dead husband is now dead husband.

Jin reveals himself and Rousseau turns the gun on him. He, quite sensibly, runs like hell. A flash sends him to another time, away from Danielle and into the loving arms of Sawyer. Sweaty man hugs all around.

Jin tries to find out what's going on, but his English isn't up to the task. He asks for translation. Everyone assumes he's asking Miles.

"Um...He's Korean. I'm from Encino."

Of course, Jin knows that Charlotte speaks Korean. Everyone else is quite surprised.

Back at the marina, Sun's still covering Ben with the chocolate gun. Kate rushes to Sun's car to retrieve Aaron while Ben continues to try and convince Sun that Jin is alive.

When Kate hears that Ben wants to take them all back to the island, she leaves.

Sayid has had enough. He leaves, warning Ben and Jack that if he ever sees either of them, it won't be pleasant. Poor Ben. It's like watching someone try to solve the Rubik's Cube of arch-villainy.

Out in the jungle, John explains his plan to Jin. It's not much of an explanation. Faraday points out that it makes sense to try to stop the time shifts where they started, at the Orchid.

"But as far as bringing back the people who left in order to stop these temporal shifts, that's where we leave science behind."

Um...Dan? You left science behind when you told Desmond he needed a "constant" to stabilize his time-shifting.

Another flash and then another and Charlotte is nearly unconscious on the jungle floor. Pretty much the whole group is bleeding at least a little from the nose.

Charlotte speaks in Korean, apparently incoherent. Before Jin can translate, she shifts to English.

"Don't let them bring her back. No matter what. Don't let them bring her back! This place is death!"

In L.A., Ben drives towards the proof he's offered to show Sun. Jack tries to apologize for not saving Jin. Sun wants to know if Jack is apologizing to try to keep her from killing Ben.

"After what he just did to Kate, if you don't do it Sun, I will."

Um...Jack? Ben's driving the van. You just threatened to kill the guy who's driving the van. You aren't even wearing your seatbelt.

Oh, and Jack? He's evil. Not deaf.

Moron.

Ben pulls the van over sharply.

"What are you doing?"

Um...Jack? See my points above. Moron.

"What I'm doing is helping you. And if you had any idea what I've had to do to keep you safe, to keep your friends safe, you'd never stop thanking me. You wanna shoot me, then shoot me, but let's get on with it. What's it gonna be?"

I'm still convinced that Ben is on the road from villain to hero. Speeches like that just make me more sure than ever.

Sun decides to let him live, for now. "Drive."

Out in the jungle, Charlotte is no longer fully connected to reality. She rambles about Carthage and Hannibal and hearing Geronimo Jackson before another flash convinces the group that they have to move on without her. Even she agrees that with the flashes coming fast and furious, she'd just hold them up. Daniel elects to stay with her.

Sawyer wonders what they'll do if the Orchid isn't around when they get there. Charlotte provides a cryptic answer.

"Look for the well. You'll find it at the well."

The gang saddles up and heads for the Orchid. Sure enough, when they arrive, the Orchid station is there, if a bit wrecked.

"Thank God. What are the odds that we would end up in the same time as this thing?"

Juliet, apparently, is not a devotee of irony. Flash.

"Just had to say something."

John strikes off into the jungle and finds...the well.

"How the hell did Charlotte know that this thing was here?"

Out in the jungle, she answers Miles, even though he asked the question somewhere else. "I've been here before."

Yeah, so shocking. Thanks for the info Charlotte. We figured that out last season. Tell us something new.

"I grew up here, on the island. And there was this thing. This Dharma Initiative. And then I moved away with my mum. Just my mum, I never saw my dad again. Then when I got back to England and I would ask my mum about this place but she would say that it wasn't real, and that I'd made it up. That's why I became an anthropologist. To find this island again. It's what I've been searching for my whole life."

In the desert. With polar bears. Can someone please explain to me how being an anthropologist helped her find the island? If I was trying to find an island I knew existed, anthropology would be far down on my list of things to study. Geography and cartography find things. Better yet, GoogleEarth.

"Charlotte, why are you telling me all this?"

Yeah, why are you telling us all this?

"Because I remember something now. When I was little, living here, there was this man, this crazy man and he really scared me. And he told me that I had to leave the island and never ever come back. He told me that if I came back I would die."

"Charlotte, I don't understand."

"Daniel, I think that man was you."

Crazy french chick, Danielle, crazy future guy, Daniel. Hmm...

At the well, Locke is determined to climb down and do what he has to do to bring the others back. Jin demands that he not bring Sun back, because the island is bad. He makes John promise and John gives his word.

"You promise. You promise you don't bring my baby." That's right! Sun's still pregnant as far as Jin knows.

Am I the only one who thought "Yeah, right," when Locke gave his word?

To convince Jin, Locke plays along and asks him what he's supposed to tell Sun if she comes to him. Jin gives him his wedding ring and tells Locke to use it as proof to convince Sun that they found Jin's body and buried him.

Juliet thanks John for whatever it is that he's going to do.

As he lowers himself down, another flash hits, coming up from the well to engulf everyone. John hits the ground, hard.

"I think you can let go of that now."

Sawyer sees that the rope he is holding is now buried solidly in the ground, the well gone. For a moment he tries to dig John out, but Juliet convinces him of the futility of trying.

Out in the jungle, Daniel tries desperately to keep Charlotte with him. He tells her to hang on because he's sent a message to his mother through Desmond. But it's too late. Charlotte isn't allowed to have chocolate before dinner. And she's gone.

In the well, Locke has suffered yet another leg injury and is unable to walk. He sees a figure with him in the well, carrying a lantern. It's Christian Sheppard!

"You! What are you doing down here?"

"I'm here to help you the rest of the way."

"I don't understand."

"When you came to see me in the cabin, you asked me how to save the island and I told you you had to move it. I said that you had to move it, John."

"But Ben said he knew how to do it. He told me that I had to stay here and lead his people."

"And since when did listening to him get you anywhere worth a damn?"

Christian explains that John has to find a woman named Eloise Hawking in Los Angeles. Once he finds her, he must bring the group that left the island to her and she will help him get them all back to the island.

"What if I can only convince some of them to come back?"

"I believe in you John. You can do this."

"Richard said that I was going to die."

"Well, I suppose that's...that's why they call it 'sacrifice'."

Christian instructs John that he simply has to give the wheel a little push. He forces John to get there himself, refusing to help him. We all wonder if he can't help or if he won't help, but it's only a minor question.

As John pushes the wheel, Christian offers parting words.

"Say hello to my son."

"Who's your son?" They shoulda sent Sawyer. He would know.

Back in L.A., Ben pulls the van up to a church. He pulls Jin's ring out of his pocket and hands it to Sun, telling her that John gave it to him and that Jin had given it to John before he left the island.

"You told me Locke didn't come to see you."

"That's true, Jack. I went to see him."

This little semantic exchange is reminiscent of Jin and John's conversation at the well.

"Why didn't Locke tell me himself?"

"I don't know. Maybe he never had a chance before he died."

Okay. Whoa. This implies that Locke and Sun have had at least one conversation since he returned from the island. Given how important they've made the "who came to see who" bit with the exchanges between Ben and Jack and between Jin and John, this also seems to imply that Sun went to Locke, assuming he kept his word. Since he didn't present Sun with the ring and she didn't say "But Locke told me they buried Jin!", obviously Locke was playing fast and loose with his word.

I don't know how important that is, but it seems that they went to a lot of trouble to set up the idea that Locke was supposed to tell Sun that Jin was dead and then didn't.

Ben explains that there is a woman inside the church who can help them get back to the island and help all the people they left behind, who are now in terrible danger.

Seconds after Sun agrees to follow Ben as he tries to return them to the island, Desmond shows up.

"What are you doin' here?"

"I assume the same thing you are."

"You're looking for Faraday's mother too?"

Sorta.

Sure enough, the woman in the church is Eloise Hawking and the least surprising reveal since the show began infers that she is indeed Faraday's mother. Since they don't say it explicitly, there are bound to be one or two hold outs out there who are saying "It's too obvious! She's not Faraday's mom!", to which I say: "You're giving the LOST writers WAY too much credit." She's his mom. Deal with it.

She reminds Ben that he was supposed to bring the whole group, but he tells her that this was the best he could do on short notice.

"Well, I suppose it'll have to do for now. Alright, let's get started."

And with that, we can officially say that LOST has kicked off the beginning of the end.